Review: Indu Sarkar

First, the title – an astute ploy by director Bhandarkar to bear out part of the lengthy disclaimer that Indu Sarkar is a work of fiction. This, despite the director, who’s also co-scripted the film, going on record to say that “The film is 70% fiction and 30% documented fact”. Indu Sarkar – a pun […]

Review: Indu Sarkar

First, the title – an astute ploy by director Bhandarkar to bear out part of the lengthy disclaimer that Indu Sarkar is a work of fiction. This, despite the director, who’s also co-scripted the film, going on record to say that “The film is 70% fiction and 30% documented fact”. Indu Sarkar – a pun […]

Review: Munna Michael

Take a bow, Bomi Dotiwala! After ‘Munnabhai MBBS’, it seems any film with Munna in the title is obligated to have a carrom-playing scene – along with an oblique reference to the queen – and the doctor being ‘gently coerced’ into coming home. While returning home sozzled after being forced to retire as a chorus […]

Review: Sing

‘Sing’, also released as ‘Mindenki’, is a Hungarian short film which opened at the 14th Asiana International Short Film Festival in Seoul, and has bagged 13 awards, including the coveted Oscar for Best ‘Live Action’ Short Film this year. Written and directed by Kristof Deak and shot in six days, it has the 10-year-old Zsofi […]

Review: Dunkirk

From 26th May to 4th June 1940, in the French coastal town of Dunkerque, a little over 300,000 troops – mostly British, some French and Belgian – were reined in onto the town’s beach by a sustained German fire – both artillery and aerial. Tommy (Fionn Whitehead), a young petrified British soldier, tries every means […]

Review: Jagga Jasoos

Whatever little success the film is likely to enjoy would be largely due to Ranbir’s histrionics, as also the free-flowing lyrical nature of the dialogues – especially in the first half. Young Jagga (Ranbir Kapoor) is adept at investigating cases and arriving at theories. When his father ‘Tooti-Footi’ (Saswata Chatterjee – the assassin in ‘Kahaani’) […]

Film Review: Mom

In her first Hindi film in five years–‘English Vinglish’ in 2012 being  her last– Sridevi turns out to be as impressive and charismatic, if not more. ‘Pink’ and ‘Maatr’, in recent times, have underscored the aftermath and trauma of a sexual assault on a hapless victim and her family. In ‘Mom’ we have Devki Sabharwal […]